Saturday, October 31, 2009
Top 5 Films to See on Halloween
Tuesday, October 27, 2009
Scream Awards 2009
Saturday, October 24, 2009
Horror Film of the Week: The Fog
The Fog
Directed By: John Carpenter
Starring: Adrienne Barbeau, Jamie Lee Curtis, John Houseman, Janet Lee, Hal Holbrook
Year of Release: 1980
Rated: R
1 hrs. 30 min.
One hundred years after an accident at sea, the sleepy town of Antonio Bay honors the accident with a candlelight vigil and the unveiling of a statue. However, the local priest discovers the truth behind the "accident," and when the fog rolls in, the dead sailors return for revenge.
The Fog is a great classic horror film from renowned director John Carpenter, creator of one of the most notable horror films in movie history, Halloween (also starring Scream Queen Jamie Lee Curtis). The exposition is introduced creatively in the form of a scary campfire story told by a an old sea-weary man to a group of local children. It is an interesting way to introduce us to the legend of the boating accident that efficiently draws us into the narrative.
Almost from the get go creepy things happen: car alarms sounding for no apparent reason, glass bottles in the grocery shaking in the refrigerators, and televisions flicking on. The action quickly calms down, however, giving the the film a nicely balanced pace. The Fog also gives us those great crunching, crisp sound effects that are typical of horror classics of the 1970s and 1980s. The fog also creeps into frame every time it makes its arrival like any human villain such as Jason Voorhies or Michael Meyers.
The Fog is another classic horror film from the brilliant mind of John Carpenter. With great moments of suspense, action, and a chilling plot, this is another must-see for all movie fans.
Blogger's Note
Monday, October 19, 2009
Horror Film of the Week: Suspiria
Suspiria
Directed By: Dario Argento
Starring: Jessica Harper, Stefania Casini
Year of Release: 1977
Rated: Unrated
1 hrs. 38 min.
American ballet student Suzy Bannion travels to Europe to attend a prestigious dance academy. On the rainy night she arrives, Suzy witnesses a girl fleeing from the building. After a subsequent couple of deaths, and the disappearance of a friend, Suzy begins to realize that the noises she hears at night may not be the norm at this school.
Dario Argento masterfully mixes the supernatural with slasher and psychological horror. Not only does Suspiria make you think, but it also gives you chills. Argento knows how to brilliantly build tension in short amounts of time. Each death scene gives you want you want out of a good horror film: anticipation, chase, and gruesome murder.
The plot aside, the aesthetics alone are worth seeing. Argento uses rich colors masterfully in so many ways. There are deep reds, hard greens, bright blues, and so on. He uses the color scheme brilliantly to create suspense in certain sequences. During the first death scene, the contrast of the whites of the floor and the light all around against the vibrant red blood and the brightly colored glass of a broken window make each shot in the sequence simply exquisite.
There are many more brilliant spots in Suspiria, including use of shadow and the chillingly dramatic music. It is a truly classic film and certainly one I recommend to any person, horror fan or not. If this film is to your liking, you'll be happy to know there are two sequels, Inferno (1980), and La Terza Madre (The Mother of Tears)(2007). Together they make the "Three Mothers" trilogy.
Monday, October 12, 2009
Horror Film of the Week: High Tension
High Tension
Directed By: Alexandre Aja
Starring: Cecile De France, Maiwenn Le Besco, Philippe Nahon
Year of Release: 2003
Rated: R (Unrated on DVD)
1 hrs. 31 min.
Two college friends, Alex and Marie, travel to the home of Alex's parents for a weekend of heavy studying on the peaceful farm. As the family, including Alex's mother, father, and young brother, and Marie prepare to sleep, a home invasion turns the night upside down.
High Tension is brutish, gory, and bloody good. It has all the gross blood and graphic violence you expect from a true adrenaline-rush-inducing horror film. The way the film toys with the audience, using sound and long drawn out moments, creates suspense so terrifying I was nearly pulling my hair from the roots.
The film opens at what is essentially the end of the story. Marie runs through the woods and emerges onto a road, screaming for help, and we see glimpses of her in the hospital. We are then taken back to the beginning to see what happened to get Marie to the point of the opening scene. It's an interesting choice for sure, opening with the ending. As the audience, we can't help but feel like the filmmakers have read us the last paragraph before actually starting the novel from chapter one. However, the last great twist is much more shocking than you can imagine. You're almost guaranteed to scream, "Are you serious?!" And aren't the plot twists just as important a part of a horror film as the gore itself?
The intensity of the suspense is the real killer...that is, for the audience. The main idea is to scare you through extreme tension, and the filmmakers pull it off beautifully. From the very beginning, the audience is expected to be fraught with tension, because we are immediately thrown into Marie's situation, and we immediately feel the threat without having any establishing information.
The moments without dialogue are the most frightening, because the sound design of these scenes is what makes the story truly terrifying. In one scene, Marie walks outside to have a smoke. She walks around in the dark alone, sitting on a single swing several feet away from the house. There is no dialogue; the scene is eerily silent, save for the creak of the swing and her exhales as she smokes. The camera focuses her in a close up and nothing but darkness lies behind her. The viewer feels a creeping sensation, expecting someone to walk up behind her or for something big to occur. Yet, nothing happens. If the film can make us feel tense in an essentially harmless moment, then how do you think it feels in the moments of real danger?
High Tension is a brilliant horror film; it goes beyond gore and blood and violence into the realm of psychological thriller. The only thing to be aware of before checking out this piece of horror art is that it is a French film: it is dubbed in English. My recommendation is to set the DVD up so that it is in its original format without the dubbing, and set the subtitles. Having to read throughout the film will certainly not take anything from the experience, because, as I've stated previously, the tension is what moves the story, not the dialogue. A part of the performance is lost to the dubbing, so it's best to go with the subtitles when you check out this one.
Tuesday, October 6, 2009
Rules for Survival, Twinkies, and Bill Murray
Zombieland
Directed By: Ruben Fleischer
Starring: Jesse Eisenberg, Woody Harrelson, Emma Stone, Abigail Breslin
Rated: R
1 hrs. 20 min.
A college student referred to as Columbus (Jesse Eisenberg) narrates as he deals with the zombie apocalypse. His main goal is to make it all the way from Texas to Ohio to see if his parents are still alive. Along the way he meets up with a man called Tallahassee (Woody Harrelson) who is on a mission of his own: to find the last remaining Twinkies in America. On the journey east they meet Wichita (Emma Stone) and Little Rock (Abigail Breslin), two con girls who are also on a mission, which is to make it to Pacific Playland amusement park in California, a place rumored to be zombie-free.Saturday, October 3, 2009
Horror Film of the Week: The Omen
The Omen
Directed By: Richard Donner
Starring: Gregory Peck, Lee Remick
Year of Release: 1976
Rated: R
1 hrs. 41 min.
When the child of US Ambassador Robert Thorn and his wife Katherine is stillborn, Robert reluctantly adopts a baby boy whose mother died in childbirth without telling his wife that the child is not their biological son. Years later the family relocates to London and holds a birthday party for the boy, Damien. At the party an incident occurs which sets in motion a series of deaths and odd events which lead Robert to search for the truth behind who Damien really is and where he came from. The truth is more frightening than Robert could ever have imagined.
The Omen is wildly chilling. Nothing is more frightening than a child being a truly powerful force of evil, especially when it is a child you think is your own. Harvey Stephens portrays Damien brilliantly, with his vacant stares and devilish grins. Gregory Peck is just as strong a performer in this film as he is in the literary classic To Kill a Mockingbird. As Robert Thorn, he wonderfully portrays the role of a father torn between the love for a boy he claims as his son and his desire to find the evil truth of that boy's existence.
The film has so many seemingly beautiful aspects. The Oscar-winning score is the perfect tool, causing tension and suspense at all the right moments with haunting Latin choral chants. You will get chills every time you hear one of these dark pieces of music. There are also camera shots and editing devices which are compelling and lyrical while still keeping the film in the realm of dark and frightening. In one shot, a single fish bowl falls silently and slowly from a balcony and shatters on the hard floor below. At another moment, a gun goes off and, in slow motion, we watch the bullet leave the gun and float through the air amidst the gunpowder emitted from the shot. Moments such as these two are part of what makes The Omen such a classic; its not just about the scary moments (such as the iconic scene where Damien's nanny hangs herself), its the beautiful cinematography, editing, and acting.
And besides, the name "Damien" is cleverly similar to the word "demon." Is there a better name for an evil child than that? If you are a character in a horror film and you name your child that, you're just asking for trouble.
The Omen is most definitely one of the horror elite. No single person can call himself or herself a true horror fan, or a fan of film in general, without having seen this masterpiece.